Quotes 501 till 520 of 1295.
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I would permit no man, no matter what his colour might be, to narrow and degrade my soul by making me hate him.
Up From Slavery (1901) -
I would sum up my fear about the future in one word: boring. And that's my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again... the future is just going to be a vast, conforming suburb of the soul.
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I'm a woman of very few words, but lots of action.
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I'm a woman who was raised to believe that you are not complete unless you have a man. Well, in some ways it's true. I am a feminist to a point. But I'm not going to deny the fact that I love to be with men.
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I'm actually doing what I like doing, which is mixing opera music and classical music with soul and folk. And I was writing and talking about what I've actually experienced, and I don't think that's very common.
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I'm going to marry a Jewish woman because I like the idea of getting up Sunday morning and going to the deli.
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I'm not a rich person financially, but I am in mind and soul. I have so much energy and strength, and I can do a lot of things that make me, and I think my fans, quite happy. When everything's gone, music alone shall live on.
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I'm not the type of guy who enjoys one-night stands. It leaves me feeling very empty and cynical. It's not even fun sexually. I need to feel something for the woman and entertain the vain hope that it may lead to a relationship.
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I'm suspicious of any man or woman who approaches their own liberation with any kind of gender bias.
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I'm the first Icelandic director who started working on U.S. movies. There are others behind me now, but it's like when Bjork opened the door for Icelandic musicians to work abroad. We're such a closed-off country, but Bjork broke the spell. And I'm glad it was a woman who did it. She showed us we could break this barrier.
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I've already told you: the only way to a woman's heart is along the path of torment. I know none other as sure.
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I've always been a little bit cautious about what projects I step into. I don't mean to be dramatic, but I feel that every single thing you do in life, you give a piece of your soul, and I want to be responsible with that.
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I've got a woman's ability to stick to a job and get on with it when everyone else walks off and leaves it.
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I've never had a very quiet voice. I tried in choir to make it smaller, and it just didn't work out. And I listened to a lot of soul music when I was growing up on my own accord. But I was mostly into Mama Cass and Gladys Knight, and they all had big voices too; just different than mine.
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I, with a deeper instinct, choose a man who compels my strength, who makes enormous demands on me, who does not doubt my courage or my toughness, who does not believe me naive or innocent, who has the courage to treat me like a woman.
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If a man is talking in the forest, and there is no woman there to hear him, is he still wrong?
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If a man or woman is born ten years sooner or later, their whole aspect and performance shall be different.
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If a song's about something I've experienced or that could've happened to me it's good. But if it's alien to me, I couldn't lend anything to it. Because that's what soul is all about.
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If a woman cannot make her mistakes charming, she is only a female.
Lord Arthur Savile's Crime -
If a woman has to choose between catching a fly ball and saving an infant's life, she will choose to save the infant's life without even considering if there are men on base.
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