Quotes 3361 till 3380 of 10692.
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I try to extract something positive from every situation, even if it's just learning not to make the same mistake twice.
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I try to keep a low profile in general. Not with my art, but just as a person.
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I try to teach my heart not to want things it can't have.
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I understand HOW. I do not understand WHY.
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I used to think that the worst thing in life was to end up alone. It's not. The worst thing in life is to end up with people who make you feel alone.
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I value the friend who for me finds time on his calendar, but I cherish the friend who for me does not consult his calendar.
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I wanna change the game in way where I'm not knocking nobody out of the way, not claiming to be the best at this or that, but just doing wonders with the gift I've been given.
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I want my words to survive translation.
(2005) -
I want the reader to feel something is astonishing. Not the 'what happens,' but the way everything happens. These long short story fictions do that best, for me.
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I want there to be no peasant in my realm so poor that he will not have a chicken in his pot every Sunday.
Original:Je veux que les paysans mettent la poule au pot tous les dimanches.
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I want to be the white man's brother, not his brother-in-law.
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I want to continue doing as big a variety of things as I can do, and if that means I have the honor of getting to do more feature work, I would love that. I know that if I make any other long-term TV commitments, it's not going to be on a drama.
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I want to see people turn and writhe; make them feel things they cannot see and sometimes do not know.
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I want to use television not only to entertain, but to help people lead better lives.
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I want to walk into a room, be it a hospital for the dying or a hospital for the sick children, and feel that I am needed. I want to do, not just to be.
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I want to work for a company that contributes to and is part of the community. I want something not just to invest in. I want something to believe in.
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I wanted to be a doctor that I might be able to work without having to talk because for years I had been giving myself out in words.
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I wanted to make a classical piece that was actually designed to be a CD, not designed for performance.
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I wanted to make sure that the environment of the shooting itself was not that controlled, and the way to go about that course was to work with as small a crew as possible.
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I wanted to shoot straight, mainstream, somehow off-beat. Not only realistic West, which is quite unfamiliar to the world's population - even to a lot of Americans.
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