Quotes 761 till 780 of 1764.
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It was a decision to work clean. I just prefer to work that way. I have no problem with comedians who don't work that way. There was a temptation in the early '70s to reconsider. I decided against it.
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It was a dreamlike time for me from December 1997 to March of '98. Before that, I was basically unknown. Then, bang! The starting gun fired, and everybody just started running. It was learn-on-the-job. And there were more opportunities for work than I had time to do them.
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It was critical to finding a way out. I had assumed young women knew the history of feminism and must have felt gratitude to the movement for the opportunities that the work we have done has afforded them.
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It was easy to present figures demonstrating the contrast between lead work in the United States under conditions of neglect and ignorance, and comparable work in England and Germany, under intelligent control.
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It was the labor movement that helped secure so much of what we take for granted today. The 40-hour work week, the minimum wage, family leave, health insurance, Social Security, Medicare, retirement plans. The cornerstones of the middle-class security all bear the union label.
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It was very important that it be done in such a way that it be executed with complete conviction. If I had done it both ways, if I was trying to cover myself in case it didn't work, then it would have been to no purpose.
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It wasn't until I was 26 or 25 when I started sending work out to magazines.
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It's a blessing to have work that feels fulfilling.
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It's always a little bit personal when your work is cut down for whatever reason.
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It's always fun when you're doing the CGI stuff, to actually get to work with someone who is real, who's there.
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It's always hard to predict what's coming up next. My main guess is that content creators will increasingly start using BitTorrent to distribute their own work directly.
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It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.
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It's been a straight strip, I must tell you, I've enjoyed it all the way. If I'm saying things to make it sound like it's hard, hard work, it's not. It's beautiful work. It's fun work. It's everything you'd ever want to do
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It's cool because I think 'Ex Machina' is a little bit under the radar, which is always when I do my best work - when I feel like no one's paying attention.
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It's fine to work on any problem, so long as it generates interesting mathematics along the way - even if you don't solve it at the end of the day.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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It's important to travel and move and have a continual set of experiences so you've got more to feed back into your work. For me, it's a natural thing.
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It's just a ride and we can change it any time we want. It's only a choice. No effort, no work, no job, no savings and money, a choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your door, buy guns, close yourself off. The eyes of love instead see all of us as one.
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It's kind of hard coming from 'Saturday Night Live,' which is a sketch-driven show, to a movie.
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It's like a kitchen, acting. Put a chef in a kitchen and they will have different recipes. Whatever your recipe, what works for you won't work for another.
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