Quotes 7121 till 7140 of 25294.
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I did a play in New York at the public theater, a Shakespeare play, and M. Night Shyamalan, who is the writer/director of 'The Village,' came and saw me in the play and asked to go to lunch afterwards.
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I did a women's movie, and I'm not a woman. I did a gay movie, and I'm not gay. I learned as I went along.
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I did know Ted Hughes and I partly wrote the book to explain to myself and others the complexities of a marriage that was for six years wonderfully productive of poetry and then ended in tragedy.
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I did not enter the labor Party forty-seven years ago to have our manifesto written by Dr. Mori, Dr. Gallup and Mr. Harris.
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I did not have three thousand pairs of shoes. I had one thousand and sixty.
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I did not wish to take a cabin passage, but rather to go before the mast and on the deck of the world, for there I could best see the moonlight amid the mountains. I do not wish to go below now.
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I did what my conscience told me to do, and you can't fail if you do that.
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I didn't always want to act. My passion was writing, and it still is one of my primary passions to this day, but it wasn't until high school when I started acting in plays that it became a thought of something I might want to do. And when I applied to colleges, at NYU, I was able to study both writing and acting.
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I didn't go to business school, didn't care about financial stuff and the stock market.
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I didn't know if it would be a success-ful one, or what the stages would be, but I always saw myself as a lifetime musician and songwriter.
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I didn't raise Todd to be a writer, but he happened to be one anyway.
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I didn't want to let women down. One of the stereotypes I see breaking is the idea of aging and older women not being beautiful.
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I died a mineral, and became a plant. I died a plant and rose an animal. I died an animal and I was man. Why should I fear? When was I less by dying?
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I discovered a long time ago that if I helped people get what they wanted, I would always get what I wanted and I would never have to worry.
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I discovered early in my movie work that a movie is never any better than the stupidest man connected with it. There are times when this distinction may be given to the writer or director. Most often it belongs to the producer.
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I dislike arguments of any kind. They are always vulgar, and often convincing.
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I dislike literary jargon and never use it. Criticism has only one function and that is to help readers read and understand literature. It is not a science, it is an aid to art.
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I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too, and I always feel a little man's pleasure when they come a cropper.
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