Quotes 61 till 80 of 437.
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Clutter is the disease of American writing. We are a society strangling in unnecessary words, circular constructions, pompous frills and meaningless jargon.
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Crime stories are our version of sitting round a camp fire and telling tales. We enjoy being scared under safe circumstances. That's why there's no tradition of crime writing in countries that have wars.
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Despite all our toil and progress, the art of medicine still falls somewhere between trout casting and spook writing.
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Diplomacy in a sense is the opposite of writing. You have to disperse yourself so much: the lady who comes in crying because she's had a fight with the secretary; exports and imports; students in trouble; thumbtacks for the embassy.
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Don't hold back in your writing. Take risks. Go ahead and tackle that crazy idea that you think will never fly, because that may be the one that makes you stand out from the crowd. Keep pushing the envelope.
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Eighty percent of a picture is writing, the other twenty percent is the execution, such as having the camera on the right spot and being able to afford to have good actors in all parts.
The New Hollywood : American Movies in the 70s (1975) -
Even if I knew for certain that I would never have anything published again, and would never make another cent from it, I would still keep on writing.
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Even if I'm writing music, it's with a lyric in mind, to communicate some kind of feeling.
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Even though I was trained in play writing and screenwriting, when I sat down to write a comic book for the first time, Alan Moore was first and foremost in my mind.
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Even when I interviewed bands, it was about asking them about writing songs, so it was more for me than anybody else.
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Eventually the writing takes time. What I want to do is get the story down and I want to know what happens as I write my way into the knowledge of the story.
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Ever since I began writing my Junie B. Jones series, people have been assuming that the character is based on me when I was a little girl. The fact is, though, that Junie B. and I have very little in common.
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Every book is like starting over again. I've written books every way possible - from using tight outlines to writing from the seat of my pants. Both ways work.
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Every single line on the Oscar show is negotiated. Unless you've been there, you have no idea how it is put together. It's like nothing else on earth. I'm writing a book about it, but I have to throw in my sexual escapades to make sure it sells.
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Every time I finish a book, I forget everything I learned writing it - the information just disappears out of my head.
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Every time I finish a book, I forget everything I learned writing it - the information just disappears out of my head.
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Every time I think I know what's right and wrong, I end up being wrong. All I want to do is explore. I want to see what people would do. I say, 'What would this person do in this situation?' and I write it down. I'm not writing manifestos of my political views.
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Every writing career starts as a personal quest for sainthood, for self-betterment. Sooner or later, and as a rule quite soon, a man discovers that his pen accomplishes a lot more than his soul.
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Everybody's idea of a great book is different, of course. For me it's one that makes my jaw drop on every page, the writing is so original.
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