Quotes 1381 till 1400 of 10716.
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But surely for everything you have to love you have to pay some price.
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But the minute we went public on the stock market, which is how our wealth was created, it was no longer how many people you employed, it was how much you were worth and how much your company was worth.
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But the one thing you should. not do is to suppose that when something is wrong with the arts, it is wrong with the arts ONLY.
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But the star thing I can live with. The music I can't live without. And that's how it lays out for me, you know. I got as big an ego and enjoy the attention.
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But then again of course I know perfectly well that He can't be used as a road. If you're approaching Him not as the goal but as a road, not as the end but as a means, you're not really approaching Him at all.
A Grief Observed (1961) -
But then of course you reach a point where you have to say, I've got to figure out how this book's going to end. Otherwise, you're going to write yourself into so many dead-ends.
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But this is an occupational hazard of being a scientist. You say this is the best information I have and then you realize that not everyone is going to read the footnotes or the whole book, so people are going to get the wrong impression.
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But this was what happened when you didn't want to visit and confront the past: the past starts visiting and confronting you.
Lunar Park (2010) 204 -
But to be the best, you must face the best. And to overcome your fear, you must deal with the best.
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But typically for a project like the Mac, the size we had was pretty good. And it has different stages. The team grows as you have to write manuals and do testing... though the Mac had no formal testing.
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But we try to pretend, you see, that the external world exists altogether independently of us.
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But we wanted to work in a way we never had, which was write everything together. We had to face each other in the same creative room, which gets tougher as you get older, because you don't want to be confrontational.
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But what you realise after you've been in the business for a while is that people develop opinions about you that don't have anything to do with your music, they like or dislike you for a million reasons, they like or dislike you for your last record.
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But when you get music and words together, that can be a very powerful thing.
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But when you see personal artifacts relating to - by genealogy at least - a living human being, it was just more impressive to me than just about anything I've ever read about slavery before.
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But with comics you're reading and assimilating an image simultaneously, instead of just reading or watching the tube.
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But you can catch yourself entertaining habitually certain ideas and setting others aside; and that, I think, is where our personal destinies are largely decided.
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But you can't realize, you can't know what another person goes through.
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But you have to do what you dream of doing even while you're afraid.
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But you talk to most filmmakers and it is six, seven, eight years trying to get things off the ground. It is incredible really.
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