Quotes 4201 till 4220 of 10501.
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In the end, you make your reputation and you have your success based upon credibility and being able to provide people who are really hungry for information what they want.
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In the fight between you and the world, back the world.
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In the game of life, before you get anything out, you must put something in!
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In the game of life, it's a good idea to have a few early losses, which relieves you of the pressure of trying to maintain an undefeated season.
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In the groves of their academy, at the end of every vista, you see nothing but the gallows.
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In the industry, you do need some ethics - if one film does well, then thousands get work and money comes back to the industry. I guess the bottomline is, if there are two versions, then the better one will click.
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In the information age, you don't teach philosophy as they did after feudalism. You perform it. If Aristotle were alive today he'd have a talk show.
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In the maxim of the past you cannot go anywhere.
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In the modern world of business, it is useless to be a creative original thinker unless you can also sell what you create. Management cannot be expected to recognize a good idea unless it is presented to them by a good salesman.
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In the morning, when you are sluggish about getting up, let this thought be present: 'I am rising to a man's work.'
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In the mountains the shortest route is from peak to peak, but for that you must have long legs. Aphorisms should be peaks: and those to whom they are spoken should be big and tall of stature.
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In the new Code of Laws which I suppose it will be necessary for you to make I desire you would Remember the Ladies, and be more generous and favorable to them than your ancestors. Do not put such unlimited power into the hands of the Husbands. Remember all Men would be tyrants if they could. If perticular care and attention is not paid to the Ladies we are determined to foment a Rebelion, and will not hold ourselves bound by any Laws in which we have no voice, or Representation.
Letter to John Adams, 31 March 1776 -
In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.
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In the South or in the mine country, wherever you point the camera there is a picture.
The Photographs of Ben Shahn -
In the streets, they're very nice. On Twitter, there are people who love to hate me. Sometimes people get mean. I tend to answer like, 'Careful now, know who you're dealing with...' They're like, 'I'm sorry! Don't send the Lord of Light after me!' It's fun to play with that.
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In the theater, while you recognized that you were looking at a house, it was a house in quotation marks. On screen, the quotation marks tend to be blotted out by the camera.
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In the traditional modernist planning that created the suburbs, you put residential buildings in suburban neighborhoods, office spaces into brain parks and retail in shopping malls. But you fail to exploit the possibility of symbiosis or synthesis that way.
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In the U.S., it's like, you start with a great script, and then on set - not everybody, but definitely in the Apatow group - you go off, and you're improvising on camera. So while you're on camera, you're saying things that no one else has ever heard before during the actual take.
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In the very beginning we were a real tight family but now it's different. You know, toward the end, we had separate limos, stuff like that. It's hard to get six giant egos in the same place.
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In the whole vast dome of living nature there reigns an open violence, a kind of prescriptive fury which arms all the creatures to their common doom: as soon as you leave the inanimate kingdom you find the decree of violent death inscribed on the very frontiers of life.
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