Quotes 9721 till 9740 of 10501.
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You have to look also to the media, where you have a vast majority of the loudest and most influential political voices in America media from people who came from the entertainment world.
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You have to look at the fact that Hip Hop is under attack. It's not just Hip Hop but Black people, Latino people and all people are under attack for different things.
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You have to look at the history of the Middle East in particular. It has been one of failure and frustration, of feudalism and tribalism.
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You have to love what you do to want to do it everyday.
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You have to love your children unselfishly. That is hard. But it is the only way.
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You have to love. You have to feel. It is the reason you are here on earth. You are here to risk your heart.
Source: The Painted Drum (2005) -
You have to maintain a fine balance between hope and despair.
Source: Een wankel evenwicht (2010) 328 -
You have to make more noise than anybody else, you have to make yourself more obtrusive than anybody else, you have to fill all the papers more than anybody else, in fact you have to be there all the time and see that they do not snow you under, if you are really going to get your reform realized.
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You have to make the compromise: resign, stay out of the government, and you can say what you like... but no one has to do anything about it.
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You have to master not only the art of listening to your head, you must also master listening to your heart and listening to your gut.
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You have to perform at a consistently higher level than others. That's the mark of a true professional.
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You have to put aside your ideology. Howsoever beautiful it looks, howsoever systematic it looks, howsoever philosophical you have made and decorated it, you have to put it aside and see within. That's the whole method of meditation, awareness, watchfulness.
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You have to remember that coaching wasn't sophisticated back then - you didn't have the camps, clinics and all the technical advances that are available today - so from that standpoint, playing with a cast on my arm was a fortunate event in my life.
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You have to remember that I was a bright but simple fellow from Canada who seldom, if ever, met another writer, and then only a so-called literary type that occasionally sold a story and meanwhile worked in an office for a living.
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You have to risk failure to succeed. The important thing is not to make one single mistake that will jeopardize the future.
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You have to see a building to comprehend it. Photographs cannot convey the experience, nor film.
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You have to see, kid by kid, what their needs are and what kind of parent you need to be for them.
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